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Create a Novel Query
Letter
What is a query letter? For that
matter, what is a query? Webster defines it as a question, an inquiry. Let
me give my definition. A query letter is a formal business letter revealing
how an author will make money for an agency or publisher, quickly and
easily. It is not a letter to your pal, nor is it an invitation to be
entertained by your writing. It must appeal to the agent's business acumen,
not their appreciation of the craft, nor their love of the art.
Agents prefer to receive a concise,
one-page query letter that describes something brief about the novel's plot
or distinguishing hook, the genre or category the offering is in, and other
titles the author believes comparable. The letter should include basic
information about the author, previous publishing credits, previous agent,
significant writing awards, education, participation in writing groups,
conferences, and any other distinguishing information relevant to his or her
profile as an author.
Agents and editors reject ninety-nine
percent of all queries submitted to them. What does this mean? It means the
minimum quality level acceptable is perfect. I repeat perfect. No mistakes,
none, nada, zip. Perfect.
If you're too lazy, too busy, or lack
the skills, send only one copy. Send it to your mother. She loves you,
doesn't she? Sending more is a waste of postage.
Furthermore, agents see thousands of
query letters every year. Don't try to be cute. They've seen it. The first
time it was cute. Now, it's the reason they'll reject your work. Silly
fonts, colored paper, and bags of sugar-free candy don't work. Most will
reject it out of hand. Ok, after they eat the candy. The odds are with them:
ninety-nine to one.
'Nuff said.
There are several different categories
for query letters. The category we will address is a query for a piece of
fiction written by an unpublished author.
Long
Fiction (Book) Query
The intended recipient of our letter is
an agent. Although you can send it directly to a publisher, the odds are it
will go unread if an agent does not represent you.
Using a standard business letter
format, place your name, address, phone number, and email address in the
appropriate place. Use a simple easy-to-read business font. If you're using
the Wizards for Word Query wizard, the formatting and placement is
automatic.
Address Block and Salutation
The next part is the name and address
of the recipient. The address must be current. Spell the agent's name
correctly. Many agents will stop reading on the first spelling error.
Determine the correct gender of the agent. I met an agent named B.J. who was
a woman. If I hadn't met her, I wouldn't have known. Visits to web sites and
agent listing didn't reveal whether to address B.J. as Ms. or Mr.
Nonetheless, I did find an address and an agency name. With that, I can find
out a phone number, and with that, call and ask. Find out. Don't guess.
Don't use a unisex or generic salutation. The salutation must be specific,
with the proper title and end with a colon. It is a formal business letter.
Dear
Ms. Johnson:
Lead, Log Line or Hook
The next part of a query is lead.
Beginning with the hook, the log line. It is essence of the book in a single
sentence.
Many of you are shaking your head.
You're thinking it can't be done. Your story is too rich and complex to be
reduced to a single sentence. Okay, I give up. I hope you remember your
mother's address.
To begin, reduce the story to five
sentences. Reduce the five sentences to two. Finally, reduce the two
sentences to one. Is it easy? No. It is necessary? Yes, it is. You do want
them read beyond the first sentence, don't you?
Many agents use interns to sort the
wheat from the chaff. If you don't grab them in a positive way on the first
sentence, the odds go against you exponentially. Remember, perfect is the
minimum entrance fee.
A sentence summarizing the Margaret
Mitchell Pulitzer prize-winning novel of over 1000 pages might be said:
A thousand pages reduced to a single
sentence. Can the sentence be improved? Of course it can. Nevertheless, it
demonstrates it is possible to describe a complex and lengthy piece of
fiction in a single sentence. Tell the essence of the story, not the story.
Tell the theme of the story, not the story. Hook me. Make me want to read
more. Give the publisher's salesperson a single line to entice the
bookseller. Make it easy to want to read more, to sell the book, to buy the
book. We all like easy money. Convince the reader of your query letter that
he or she is on the path to easy money. Do it with craft. You must show, not
tell.
Some lead openings immerse the reader
in the story. Ayn Rand's Atlas Shrugged asks the question "Who is
John Galt?" Would this induce the reader to read on? The hook provided by
the publisher in advertising the book:
Would you read on?
The first sentence of your novel must
hook the reader. The first sentence of your query must also hook the reader.
Now, here is the bad news. Each sentence thereafter must do the same, for
perfection is the minimum entry fee. You can approach it with the one
sentence synopsis, immersing the reader in the story, or presentation of a
theme. The key is you must make it interesting and get the reader to read
on. If your first sentence is boring, guess what the response will be.
Beyond the log line, you should
describe the other details of the book, i.e., the number of words, any
unique milieu, and the novel's genre. An example is:
This is where you will part company
with many agents. If you have written a historical romance, and the agent
does only science fiction, horror, and basket weaving, there's a reject slip
soon on its way.
Business Hook
The business hook is where you
demonstrate your marketing skill. For example, in Formatting & Submitting
Your Manuscript published by Writer's Digest Books, Nicholas Sparks, in
an example query adds a P.S. to his query to an agent about his manuscript
for The Notebook:
The above business hook could have been
in the lead; however, the author prior publishing credits fit better for
him. This demonstrates professionalism, a commodity agents welcome.
Writers
Credentials
This where you tell them about the
Pulitzer Prize you won. If you didn't win that, how about the East Podunk
Short Story contest? If you belong to a writer's group or a critique group,
put that down. If any of your work (fiction, nonfiction, articles, anything)
has been published, put that here. If you have an
MFA
from UC Irvine, put that here. If you attended writer's conferences,
seminars, or lectures, put that here. Put the most important first. If you
have three books published, you may skip that you belong to the East
Podunk's Writers Club. If your novel is a legal thriller, and you are a
lawyer, put that down. Don’t put qualifications not related to your novel.
They need to validate you can put a
sentence together and they don't want to the waste time to read your
manuscript to find that you can't. If you are writing about a subject
requiring some technical background, demonstrate you have that background.
Give them that validation. The better the credentials, the easier the sell.
Referral or Recommendation Sources
Name-dropping is wonderful. If you know
an author who has an agent, ask if he or she will introduce you. Ensure you
note this in your query letter. For example:
Find books you like that are similar to
yours. Look in the acknowledgements for the author's agent. When writing to
this agent you can say something like:
If you go to a writer's conference and
meet an agent, mention this when writing to that agent:
Comparisons with other Books
Using a positioning statement helps the
agent pre-sell your book, if they choose to represent you. A typical
positioning statement:
Nevertheless, never compare yourself to
some bestselling author in a way that claims equality to that famous author.
Your claim will be rejected with a letter to follow. Be humble or be
rejected.
Compare your novel to some other novels
with a statement similar to:
My
New Novel
falls somewhere between The Lovely Bones and
Angela's Ashes in style and content.
Fans of Danielle Steele will like My New
Romance.
These statements help the reader
understand the kind of novel you have written.
The
Meat
Ok, the meat, or body of the letter
should be your best foot forward. If the best pitch is your awards,
education, writing experience, put that as your main pitch. If you lack
significant creative writing credentials, pitch the story.
The meat is a few paragraphs. Brief is
better. This is selling your credentials or story.
If the pitch is the story, give a brief
synopsis of the story, its theme, and style. Most stories have been told
before. Sure, the names have changed but the pitch is the same. Highlight
the difference in your story. What makes this different and why will readers
be intrigued and buy it? I know, your mom likes it.
The Closing Paragraph
The closing paragraph should be a
standard business closing. For example:
A Representative Query
Below, is an example of a query
letter, written by a friend of mine for his novel, Singing to Whales.
In the interest of privacy, the address and phone numbers have been changed.
John Doe
10 Main Street.
Somewhere, CA 93000
(866) 555-1212
E-mail: myEmail@domain.com
Ms. Mary Smith
The Mary Smith Agency
10 Main Street
New York, NY 10002
Dear Ms. Smith:
In Singing to Whales,
Matt Kiley is born with the ability to talk with dolphins (and other whales)
but he can’t carry a normal conversation with another human being to save
his life.
Since a time even before
he is born, Matt finds himself immersed in the world of dolphins and whales.
His mother, a pioneering researcher in the 1950s, swims with the same
dolphin for hours every day while pregnant. For the unborn Matt these swims
muffle away all human sounds, filling his days instead with dolphin cries.
These cries change the programming in Matt’s developing brain, affecting how
he will come to process and understand language.
As he grows, Matt finds
he can understand and even speak the dolphin language, which makes much more
sense to him than English. Unfortunately, his troubled English results in
some people labeling him an autistic savant, slow–witted with humans but
brilliant with dolphins. The older he gets and the harder he works to talk
and think like a human, the less he understands the dolphins and whales.
Will he risk giving up his special gift in order to try to have a normal
life?
The 100,000 words of
Singing to Whales tells the story of one man’s ability to communicate
with another species. Like The Horse Whisperer and Tarzan of the
Apes, the human communication forms the soul of the story
I studied Oceanography
in college. My studies continue, following dolphins in local waters, orcas
off the San Juan Islands and humpbacks in Glacier Bay, where my novel takes place. I have written on water quality issues for
an environmental organization, optioned screenplays to Tri-Star and Warner
Bros., and written for the television shows “Star Trek, Voyager” and
“Charmed”, among others. I serve as the senior editor of a local magazine.
Thank you for
considering Singing to Whales.
Sincerely,
John Doe
Enclosures: Singing
to Whales prologue and first fifty pages, synopsis, SASE
Checklist
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Dos |
Don'ts |
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Check Grammar and
Punctuation |
Don't understate
your experience |
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Check Spelling |
Don't use hyperbole
to sell yourself |
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Do it again |
Don't state some
other agent has sent a reject |
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Check for craft or
grammar style errors: (Use Book Doctor) |
Don't mention items
not pertinent to the novel |
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Have your critique
group review your query |
Don't ask for advice
or criticism |
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Address your letter
to a specific agent |
Don't bring up
payment expectations |
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Do state previous
publishing credits |
Don't mention
copyright information |
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Do summarize
relevant experience |
Don't go over two
pages. Try for one. |
| Do use
Wizards for Word Query Wizard |
Don't be sloppy in formatting your letter. |
Finally, after you
completed your query letter, send it to the right agent.
Don't send it to someone who doesn't represent the category
of your manuscript. If you've written a thriller, don't send
it to the agent who does only nonfiction and children books.
Agent Wizard is the best way
to hook an agent...quick, efficient, and painless.
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